

Congratulations to THE WOMEN’S FILM FESTIVAL for a decade of celebrating films for, by and about women. #TWFF25
Be sure to check out the COMPLETE SCHEDULE for the 10 day Festival in Philadelphia (Sept 18-28, 2025) Below are a few highlights:
SIFTers & Friends of SIFT Discount Code
ITS-ON-US50 (Makes each tix $5)
Saturday, September 20th 12:00 PM Screening
ANIMATION NATION SHORTS PROGRAM
DETAILS/TICKETS
Sunday, September 21st 2:30 PM
FILMMAKERS ROUNDTABLE
DETAILS/TICKETS
Friday, September 26th 8:00 PM
OUR BLACK VOICES
Our BLACK VOICES at the Neighborhood House (20 N. American Street) Powerhouse Filmmakers Dayna Lynne North will be in attendance.
Dayna Lynne North is a film and television writer, producer, cultural curator, and self-described ‘Delightful Disruptor’. Recently, she co-created and executive produced THE BEST MAN: THE FINAL CHAPTERS on Peacock. This adaptation of the iconic Best Man film franchise by Malcolm D. Lee still holds the record as Peacock’s highest rated scripted series. In 2021, Dayna signed a two-year overall deal with Sony Television under her Loud Sis Productions banner.
Dayna is currently in development with writer/director Morgan Cooper and Gabrielle Union’s I’ll Have Another Productions on the half hour workplace comedy BLKCOFFEE.
Dayna was a writer/Executive Producer on the first three seasons of HBO’s Emmy-nominated, zeitgeist-shifting INSECURE. A nd there’s a lot more to her bio.
DETAILS/TICKETS
Saturday, September 27th 8:00 PM
MIKOKO
MIKOKO Neighborhood House (20 N. American Street). Is a light-hearted film from Togo. Amazulu is going to be providing clothing for TWFF25 Organizers to model and drummer Karen Smith will be performing live at the screening.
DETAILS/TICKETS

Sunday, September 28th 7:30 PM
Closing Night Film KNOW HER NAME
Know Her Name (Neighborhood House (20 N. American Street)) is a mystery documentary that delves into the legacy of filmmakers and uncovers the story of why women, especially women from underrepresented communities like Zora Neale Hurston and Esther Eng, have been forgotten in discussions of film.




